Carpe Diem #1236 Mirror by Jaume Plensa.Carpe Diem #1237 Fractal Art (by PSSolutions).Carpe Diem #1238 Crossed House (Manuel Clavel Rojo).Carpe Diem #1239 shifted flowers (unknown artist).Carpe Diem Writing and Enjoying Haiku #5 creating.Carpe Diem #1240 Who's Afraid of Red, Yellow and B.Carpe Diem #1241 Exposure (Antony Gormley).Carpe Diem #1242 Rhythm – Joie de Vivre (Robert De.Carpe Diem #1243 In The Beginning (Paul Klee, 1916).Carpe Diem Utabukuro #2 solar eclipse August 21st.Carpe Diem #1244 In Utero (by Guglielmo Alberto Na.Carpe Diem's Vision Quest revived #1 deep silence.Carpe Diem #1245 Head Above The Water (by Henk Hof.Carpe Diem Vision Quest revived #1 day 2 deep silence.Carpe Diem Extra Augustus 29th 2017 results of the.Carpe Diem #1246 growth (unknown artist).Carpe Diem Vision Quest Revived #1 day 3 Issa's si.Carpe Diem #1247 Abstract Painting (the logo).I can think of few painters who are able to write effectively on the legacy of Camille Pissarro, as Dana has done-or have a history in creating avant-garde film, and sculpture. And, perhaps most importantly, once they find they can paint in a certain mode too well, they will simply stop doing it-realizing that pictorial success, overly pursued, will ultimately lead to failure.ĭana Gordon is just such an artist who matches painterly intuition with a philosophical awareness of the great history of art in which he takes part. They will put up roadblocks, obstruct their path, make formulas to complicate their progress. Good painters therefore look for ways at redirection. The shortcuts of the brush can miss the joys of the journey and the discoveries along the way. For good painters, facility can become facile. Even if we know, or think we know, what a painting should look like, we have little ability to summon up the elusive processes and talents to get there.įor good painters, the challenge is not so much how to reach some visual destination, but rather how not to reach it too quickly-or too easily. The great challenge for us would be to paint well, if we even paint at all. Most of us, of course, are simply bad painters. When an artist shared this observation with me, it sounded so wrong, I realized it must be right. One of the great challenges for good painters is to make bad pictures. ![]() Let me tell you first a little bit about it: Today I have a wonderful painiting, with a lot of geometric paintings created by Dana Gordon. Do you have any guesses why they might be called that? In order to figure out the answer, we have to learn about something called the Fibonacci sequence.I had planned to make an episode about geometric patterns, and I am going to do that, but another piece of art than I first had chosen. The natural spirals aren’t identical-some are big, some small, some show up as a line, some as rows of leaves or petals. The mathematical secret behind nature’s spirals Read on to find out more about the magical mathematical explanation! ![]() What other connections can you find?Įach of the spirals in these photographs follows the same mathematical pattern. ![]() In the photos of the galaxy and the water puddle, it looks like many different spirals are layered on top of each other. The inside of the sunflower and the leaves of the succulent don’t have spiral lines in the same way, but the seeds and leaves are organized in a similar spiral pattern. It almost looks like if you put the two images on top of each other, they would match up. The curve of the chameleon’s tail is just like the shape of the shell (which is a special type of shell called a Nautilus). What do you notice about these spirals? Did you find any similarities between the different images?
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